-

Flowers I-II.
HU/ A Flowers I-II. egy digitális festménysorozat. Az ismétlődés témáját veti fel a mára már elhasználódott virág motívumán keresztül. A festményen a modellem egy művirág volt, amely a festés folyamata során elvesztette a megkülönböztethetőségét…
-

(Még) El nem készült alkotások / Works Not (Yet) Made
HU/ Az alábbi PDF file-ban olyan, még el nem készült vagy már el sem készítendő alkotásaim terve van (pályázati anyag), amit mégis fontosnak tartok megosztani. A 2025-26-os időszakom tervezett, de el nem készült munkái,…
-

Big Odalisque I-II.
EN/ The paintings titled “Big Odalisque“ essentially belong to my “Torso” series, as the composition is cropped in a way that the entire body is not visible. Within the composition, the woman is not…
-

Torso II. Series
EN/ The inspiration for the Torso II series is the painting titled “Show-Hide (Torso II/1)”, in which one half depicts a curtain and the other a female upper body. This duality of revelation and…
-

A Torso I. Series – “This is my body”
EN/ In this series of paintings, naked female torsos appear in the same compositional framing: from the neck down to the mons pubis, with bare breasts, cropped at the arms. Technically, the first piece…
-

Gateways Series
EN/ The series, consisting of twelve relatively small-scale paintings, is composed of loosely interpreted, subjective circular associations. The drain, the basin, the egg, the skull, the lampshade, the toilet bowl, and the ring—all embody…
-

Concreting
EN/ In the short art animation titled “Concreting”, a figure is seen mixing concrete. Sand, cement, water, and physical labor are the elements used to create the material. As the events unfold, it soon…
-

Venuses
EN/ In the painting, one of Budapest’s red-light districts (tolerance zones) serves as the background, while the subjects of the work are figures of the Venus de Milo, multiplied and depicted in foreshortening. In…
-

An installation plan titled Boat and Expectant and Flood titled paintings interpretation
EN/ From time to time, a specific object gains prominence in my work—typically items drawn from my personal environment. At the same time, an intuitive creative process remains essential to me. In these three…